The Flexible Envelope Generators in particular give this VST a lot of versatility. In addition to these filters, there are four Flexible Envelope Generators and a 99-point looper function with tempo sync.
#How to use vst plugins generator#
It also has a virtual analog oscillator and a noise generator which can be used alongside the granular synthesis engine or layered into your samples. Quanta has two filters which can be used in either 2-pole or 4-pole mode, so you can get some down and dirty bass at 24db per octave.
You can also use Quanta as a subtractive synth without the samples, making it a valuable instrument to have in your arsenal since it can do double duty. To start making some noise, you can drag and drop a sample in WAV, AIFF, OGG, or FLAC format onto the window. Most parameters of each voice can be fully randomized and modulated. Each voice has up to 100 1000ms grains, so there are many options for layering and manipulating different samples. Quanta is a granular synth with 10 voices. It's also the first Audio Damage VST to include a preset manager, which makes it easy to save your sounds. Overall, Phosphor can get weird and grimy but is just as capable of subtlety. There's a Random setting for the waveform source, which gives you a lot of flexibility in your sound design, as well as the ability to skew the tunings of each oscillator to really thicken up your tones. It has two oscillator voices, which each have an optional delay effect, a wave table oscillator, a noise generator, and an amplifier envelope. It's definitely an aesthetically pleasing way to see which parameters you're changing. Phosphor has a similar interface, with green bars that correspond to various settings as you tweak your sounds. While there was no official purpose for this feature, it gave the Alphasyntauri some personality, and it looked really cool. Flashing bars on the screen synced up to whichever keys were being played. Not only was the Alphasyntauri much more affordable than a Fairlight or Synclavier, but it had a unique "light show" effect. The Phosphor UI is based on a digital synth from the 80s called the Alphasyntauri, which was developed with an Apple IIe as its "brain" and was considered the first affordable digital synth. Phosphor sounds just as futuristic as it looks.
The demo versions are fully functional for 20 minutes at a time and do not save presets.īelow, we'll walk you through the basics and some of our favorite features of each Audio Damage VST. They're all available in VST or AU format for macOS, Windows, and Ubuntu/Linux.
#How to use vst plugins free#
Audio Damage also has four more VST plugins available at reasonable prices along with free demo versions.Įach Audio Damage VST is a little different and has its own look, style, and workflow. So, in this article, we'll introduce you to Audio Damage's VST plugins, explaining what each one does.Īudio Damage products include effects plugins such as its Roughrider Compressor and its VST instrument plugins. With that goal in mind, Audio Damage offers a selection of VST plugins. "Making advanced musical technology enjoyable and easy to use is our first and only goal.” Audio Damage's mission is clear, as the website states that. Audio Damage is a company founded in 2002 by Chris Randall, a solo musician who composes ambient music under his own name and previously founded and fronted industrial rock band Sister Machine Gun.
0 kommentar(er)
